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Cover of An Essay on Beatification, Canonization, and the Processes of the Congregation of Rites, showing Pope Benedict XIV by Pierre Subleyras
Theatre in St. Peter’s for a canonization, etching by Giovanni Battista Falda

An Essay on Beatification, Canonization, and the Processes of the Congregation of Rites

Fr. Frederick William Faber, 1848

Anyone who reads the lives of the saints comes to the parts that are hard to take. St. Raymond sails from Majorca to Barcelona on his cloak. St. Francis curses a disobedient provincial, and a bolt from heaven kills the man in his bed. A Catholic who loves the saints wants to know how much of this he is bound to believe, and the lives themselves do not say.

Fr. Faber wrote this essay in 1847 to answer that question for readers of a series of saints’ lives he was editing. He explains what the Church has vouched for when she names a servant of God Venerable, beatifies him, or canonizes him, and how far her guarantee reaches into the stories told about him. She cannot err in a canonization, he concludes, though whether that is itself an article of faith is still open, and each marvel must stand on its own evidence.

Then comes the trial a cause undergoes in Rome, told after Benedict XIV, for years the Promoter of the Faith, the officer whose duty is to object. The Congregation weighed Cardinal Ximenes’s remark, perhaps a joke, that the pope could use a fright. A nun’s cure from epilepsy, examined eighteen months after her last seizure, waited thirteen years in case she relapsed. In an ordinary court doubt favors the accused; here it goes against the servant of God.

The last part belongs to the reader. Faber gives seven tests for any marvel, then closes with what he had seen the stories do for crowds of plain people and the rule every spiritual master gives: read the saints slowly, a little at a time, wanting to be made better more than to be surprised.

Edition & sources

Edition

Source edition
An Essay on Beatification, Canonization, and the Processes of the Congregation of Rites, London, Richardson and Son, 1848
This edition
Manualist Press, October 2026
Paperback
78 pages, 6 × 9 inches, ISBN 9798163478453
Hardcover
78 pages, 6 × 9 inches, ISBN 9798162114864
Kindle
ASIN B0HNLP2FWD
Plate
Giovanni Battista Falda, Theatre in St. Peter’s for a canonization, 1671. Metropolitan Museum of Art.

From the Richardson and Son edition, London, 1848, with the frontispiece portrait of Pope Benedict XIV.

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